Concert promoters and event coordinators can reach Greg Vail Music at the following:īooking Site: GregVail. Although failing to win, this project was. Greg Vail and the Greg Vail Band are available for hire. 2014 Forest Hills Drive won the 2015 Billboard Music Award for the Top Rap Album as well as the 2015 BET Hip Hop Award for the Best Album of the Year. Yamaha Saxophones Performing Artist since 1991Īudio Technica Wireless Systems since 1997 Mick Adams and the Stones – A Rolling Stones Tribute – 2013 to presentġ996 The Best of Sax By Candlelight - Brainchild Recordsġ996 Sax by Candlelight - TimeLife Recordsġ997 Sax by Moonlight - Delta EntertainmentĢ000 Christmas the Hymns - Greg Vail MusicĢ002 Emotion - Greg Vail Music/Innervision RecordsĢ004 Is It Christmas Yet? - Greg Vail MusicĢ006 The Gospel Truth Revisited - Greg Vail MusicĢ008 Smooth Jazz Classics - Greg Vail Music/Innervision RecordsĢ014 Dean Grech – We Got Lost featuring Greg Vail – Rocket Ride RecordsĢ014 Brick Alley Blues – Nothin’ To Loose But the Blues – Brick Alley Blues The Bard Brothers Blues Band – 2012 to present Oceans of Sand Band – A Smooth Jazz Project – 2012 to present Woodwind and Brasswind contributing writer – 2011 to present Magnetiq – A Michael Brecker Tribute Band – band member 2010 to presentĭean Grech Band – Singer/Guitarist – band member 2010 to present Greg Adam’s East Bay Soul – 10 piece horn band – 2009 to present Greg Vail Band – Original CD Project Band – bandleader 1988 to present Petra, Amy Grant, Crystal Lewis, Jon Gibson, Rick Muchow, Morris Chapman, John Elefante, Leon Patillo, Jadon Lavik, Charles Billingsley, Tim Timmons, Tommy Walker, Darlene Zschech, Paul Baloche, Sarah Kelly, Chris Falson, Phil Keaggy, Adam Watts, Ken Reynolds, Denny Correll, Bryan Duncan, The Super Band featuring Abraham Laboriel, Lenny Castro, Saddleback Music, Maranatha Music, Vineyard Music. John, Tommy Sims, John Tesh, Lucy Schwartz and Landon Pig, Bill Medley, Al Stewart, The Coasters, The Drifters, The Platters, Slash, Billy Idol, and Andrew Dice Clay. Rick Braun, Peter White, Greg Adams of Tower of Power, Al Jarreau, Joe Sample, Wilton Felder, Eric Marienthal, Nestor Torres, Rob Mullins, Kilauea, Steve Oliver, Freddy Fox, Mindi Abair, Jessy J, Freddy Hubbard, Chieli Minucci, Chris Standering, Tony Guerrero, Dan Siegle, Brian Bromberg, Blake Aaron, Freddie Washington, Max Bennett, Richard Smith, Steve Reid and Bamboo Forest, Gerald Albright, Justo Almario, Richard Elliot, Boney James, Greg Karukas, Jeff Kashiwa, Ronnie Laws, Slim Man, Billy Mitchell, Nils, Michael Paulo, Diane Schuur, Freddie Ravel, Tom Scott, Shilts, Paul Taylor, Craig Chaquico, Dave Koz, Warren Hill, Kirk Whalum, Everette Harp, Roger Smith, Freddie Ravel, Native Vibe, Marc Antoine, Keiko Matsui, Guitar & Saxes (with Richard Elliot), Patrick Yandall, Jeff Golub, Brian Culbertson, Grant Geissman, Scott Wilkie.Įlton John, Chaka Khan, Toto, David Foster, Sarah McLachlan, Josh Groban, Weezer, Jason Mraz, Natalie Cole, Al Jarreau, Michael McDonald, Earth Wind and Fire, Patti Austin, James Ingram, Jonathan Butler, Smokey Robinson, David Pack of Ambrosia, Evelyn Champagne King, Brian Wilson of The Beach Boys, John Ondrasik of Five for Fighting, Dennis DeYoung of Styx, Dr. Most notably recorded, performed with live or toured with: The climb back was really solid, probably my favorite track.I've had the opportunity of working with some prolific names in the jazz, contemporary jazz, pop, and Christian music scenes over the last few decades as well as recording six solo instrumental CDs with a discography of 100's of CDs in varied genres to date. Some catchy songs, but nothing that's going to really be appreciated over time. It's a far more casual album than kod was, which imo makes it a very boring or dull album. Not that it's bad, it's just not as heavy. If anything, the off season is a more braggadocios album from Cole, and very shallow lyrically. Deeper down, it's a case study into today's world of rap, new artists, and new styles that all follow the same creative styles and trends without any individualism and recognizing the problems and damage that brings to the genre and to the individuals who don't have a clear path or direction or sense of being with their newly found wealth and success. At surface level, it sounds like Cole flaunting his wealth and rapping over new age SoundCloud style beats. Kod is so much more intricate and meaningful than most people understand. Day by day, I'm so glad more people are coming to this realization.
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